The Stuart Jackson Gallery specializes in antique Japanese woodblock prints (Ukiyo-e)

Kunisada

Fuji-Bakama

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HIROSHIGE (1797-1858)

Miyanokoshi

Series: 69 Stations of the Kisokaido

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KUNIYOSHI (1797-1861) Masatoshi

 

Hida Magobee Masatoshi (Kida Magobee Muneharu d 1592) Series: Heroes of the Taiheiki

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HIROSHIGE (1797-1858)

Horikiri

Series: 100 Views of Edo

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KUNICHIKA (1835-1900) Zohiki

Komuasaki of the Kadotamaya
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KUNIYOSHI (1798-1861)

 

Returning Sails (at Ryukyu Islands)
Series: Military Brilliance for the 8 Views

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YOSHITOSHI (1839-92)

Delightful 32 Aspects of Women c 1888

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KUNISADA 1786-1865)

Kawarasaki Gonjuro as Obo Kichisa

Series: Parodies of Moonlight  

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Stuart Jackson Gallery

Antique Japanese Woodblock Prints (Ukiyoe)
882 Queen St W 
Toronto, ON Canada M6J 1G3
Phone: 416 967-9166
Toll Free from US or Canada:
877 306-2270
Contact Us

SITE LAST UPDATED: Aug 30,  2014

Stuart Jackson Gallery Shop

The Stuart Jackson Gallery is the oldest gallery dealing in Japanese Woodblock Prints, Ukiyo-e, in Canada. After over 38 years in the Yorkville area, the Stuart Jackson Gallery has purchased a wonderful gallery space at 882 Queen St W, backing onto Trinity-Bellwoods Park, which opened to the public in January 2013. The gallery hours are by appointment or Tues-Sat noon – 6PM

Ukiyo-e, meaning ‘pictures of the floating world’, was the most popular art form of 17th -19th century Japan. ‘Ukiyo’ was a Buddhist term referring to the melancholy transience of life. The concept was punningly altered to mean the fleeting pleasures of everyday life. Ukiyo-e depicted these pleasures, primarily through the medium of Japanese Woodblock Prints.

The pleasures that were most commonly illustrated in Japanese Woodblock Prints were: the theater (Kabuki, Noh, etc); beautiful women; and the enjoyment of the natural world (landscapesnature). Other subjects included shunga (erotica); current and historical events, legends, and more.

The Japanese Woodblock Prints style began in the 17th century with simple black and white prints which were occasionally hand tinted. One or two color blocks were added to the printing process during the first half of the 18th century and by 1765 full color printing had developed. By the mid 19th century the printers art had reached its pinnacle with such subtle innovations as shading of colors, metallic pigments, and embossing. The talent and innovation of the 18th-19th century Japanese artists combined to create color print art of unsurpassed beauty and technical merit.

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